This was a weird show.
The Viirus started his set at 10:35pm, with only myself and John David in attendance. His lighting rig was busted so he was unable to give us his (new) dynamic light show unfortunately... but his lights did stay on which was nice. Because of the teensy audience, his show was more casual than usual. This was fine, although I would have preferred less between-song banter.
I really liked what I heard, and he showcased a few new beat-heavy electrotech songs, along with some of his "hits". The second one, with the "Set Me Free" chorus, was my favorite. The vocal style and processing he used on this really worked well. The set ended with a brief/unfinished cover of "Photographic" which made so much sense... I want to hear more.
Chris Cline joined us, along with maybe around 10 or so bar "regulars". The venue was completely empty otherwise, and the entirety of downtown was quiet and unpopulated. The soudguy in the meantime had disappeared altogether and Adam, Brandon
(aka Laromlab) and Dan
(aka robotcowboy) had to run their own sound for the most part.
robotcowboy's performance was unlike anything I had ever seen before, ever. I felt a bit embarrassed and ashamed that only a small handfull of us were there to witness it! He was a completely self-contained one-man band, who played and triggered all of his music utilizing methods I had never encountered.
He wore a red & grey jumpsuit, with an engineered (red) welding mask affixed to his head that had patterned blinky red lights washing back and forth across his "face". Inside was a lattice of wiring, and a processed microphone which he sang into. Numerous power cables, peripheral wiring, and sound cables were interlaced over his body - all serving a specific purpose and not for "looks". A long keypad was attached to his left wrist/forearm, which he "played" when each song required its input. A semi-transparent small box with 1-3 buttons was slung over his right shoulder. When he pressed the button(s), a very synthetic computer voice stated "Ready" (I think?) and pre-programmed beat and rhythm sequences were triggered. He played some sort of (modified?) electronic guitar which I was not familiar with, that had it's own series of knobs, buttons and an interface pad. When played, the guitar signal was sent through various effects, sometimes sounding like a fuzzy warm electric guitar, chiptune-y beats, and other bleepbloopy noises.
The songs were very structured and melodic, in a complex yet simple listening sense. His name, "robotcowboy", really fit the type of music he was playing. Performing amongst the limited audience, lengths of plugged-in and taped-together wiring trailed behind him. The pieces varied from short chiptune-rock blasts, to fuzzed-out 8-Bit video game scores, to vocalized
Suicide/
Jesus And Mary Chain sludge. I truly felt I was witnessing "The Future". Wow.
Laromlab took the stage within minutes afterwards, joined by a modified robotcowboy on the floor. This was basically a laptop set and was not very dynamic at all save for the antics of his robot friend.
robotcowboy had transformed himself into a new persona, with an engineered/hollowed-out (red painted) eMac "head". Inside, at chin-level, was an unseen controlling interface which could be triggered by fingertips (buttons?). This "switch" allowed for a repeating 8bit-style projection to be displayed on the monitor's screen. It varied from pixelated patterns (
/,
\,
X, a "face", etc.) to primary Red/Green/Blue/Red squares blinking in sequence on the quartered display.
Laromlab played his laptop and some other processing devices on stage, and released smoke machine smoke on occasion. Reminding me of a futuristic "accordian monkey" robotcowboy danced to every song, extending out onto the audience floor as far as his wiring (ie, "leash") would allow. Their collabortive performance gave the impression that not only was Laromlab controlling the music, but he was also
controlling his robot for our dancing pleasure!
Midway through the set things started getting a bit tense. The "regulars" were finding the whole Future Music show overly novel, and a couple of plus-sized young women began attempting to booty-grind into the robotcowboy. I guess in our society this kind of shameless behavior has come to be not only tolerated, but also expected... coupled with utter disregard for invading the performer's "space". Despite the pair's typical pop-culture sluttiness, robotcowboy pushed them away. Squealing in
disbelief(!) over their rejection, they headed back toward the safety of the bar where a large male friend shouted across the room, "He must be a faggot!".
Despite this reminder that we were stuck in a room with 20th Century throwbacks, the show went on! robotcowboy danced and danced and danced, while Laromlab finished out his set and politely thanked the audience and venue. True professionals!
Not the worst-attended live electronic/experimental show in Gainesville's history, but definitely a close second. Being poorly promoted by the venue and the performers (two, who had never played Gainesville before), this was not too surprising. In addition, it was on a Wednesday night, two days after a national holiday weekend with way too many shows happening so I imagine folks were already pretty partied out.
It's a real shame too... because this could have been something really amazing and memorable for a lot of people.